Subscriptions at that level can download unlimited 4K stock footage and get 100GB online storage. The top-end Vegas Post level ($29.99 per month with annual commitment $599 perpetual, $299 upgrade) includes all the tools a pro production outfit needs: In addition to everything in Vegas Pro, you get Vegas Effects (similar to Adobe After Effects) and Vegas Image (for photo workflow and editing). (Opens in a new window) Read Our CyberLink PowerDirector 365 Review Magix reps tell me the product is in continual development, with new updates monthly. The subscription option lets you download 20 clips from a library of 1.5 million royalty-free stock video and audio assets and gets you 20GB online storage for syncing with mobiles, and all interim updates. Formerly you were looking at $599 a pop to get the software, but now you can subscribe for $155.88 per year (which works out to $12.99 per month) for an Edit level subscription or buy it outright for $249 ($119 for upgraders). Not only has Magix been working to make the user interface more appealing to serious amateurs, but it’s also made pricing more palatable for that audience. The latest Vegas Pro begins to see some fruits from that effort, but it’s still one of the more complex options-enough so that amateur hobbyists may find it too challenging. In recent versions, the developers behind Vegas have started to overhaul the application to deliver a somewhat more user-friendly, high-level video editor. Up to now, Vegas Pro has been held back by overwhelming interface complexity. Vegas is a longstanding name in the video editing software space, originally developed by Sony but now overseen by Magix. How to Set Up Two-Factor Authentication.How to Record the Screen on Your Windows PC or Mac.How to Convert YouTube Videos to MP3 Files.How to Save Money on Your Cell Phone Bill.How to Free Up Space on Your iPhone or iPad.How to Block Robotexts and Spam Messages.If you want to slip all of an event’s takes when slipping media, choose Slip All Takes from the Options menu. Release the Shift key while dragging to snap the event to available snap points. Holding the Shift key temporarily overrides snapping if it is enabled. Hold Hold Ctrl+Alt+Shift and drag an event to split it at the point you click and trim the event in the direction you drag (eraser mode). This slip mode is useful when you want to slip an event without changing its last frame. The left edge of the event will remain fixed on the timeline, and the media is slipped past the left edge of the event. Hold Alt+Shift while dragging any portion of an event to slip-trim the right edge. Īs you drag the event edge, the opposite edge of the event will remain fixed, trimming the media from the edge you drag. Hold Alt while dragging the right or left edge of an event. If you are not in edge-trimming mode, 1, 3, 4, and 6 on the numeric keypad to nudge events on the timeline by frame (1 and 3) or by pixel (4 and 6). Pressing 5 on the numeric keypad exits edge-trimming mode. Hold Ctrl+Alt while pressing 4 to slide a crossfade or transition one pixel left, or press 6 to slide one pixel right. Hold Ctrl+Alt while pressing 1 to slide a crossfade or transition one frame left, or press 3 to slide one frame right. Hold Alt while pressing 4 to slip trim one pixel left, or press 6 to slip trim one pixel right. Hold Alt while pressing 1 to slip trim (the media moves with the event edge) one frame left, or press 3 to slip trim one frame right. Hold Ctrl while pressing 4 to time compress one pixel left, or press 6 to time stretch one pixel right. Hold Ctrl while pressing 1 to time compress one frame left, or press 3 to time stretch one frame right. Depending on the current zoom level, the trim duration will vary. Press 4 to trim one screen pixel left, or press 6 to trim one pixel right (or hold Ctrl+Shift while rolling the mouse wheel). Press 1 to trim one video frame left, or press 3 to trim one video frame right (or hold Ctrl+Shift+Alt while rolling the mouse wheel). Use the 1, 3 and 4, 6 keys on the numeric keypad to trim the current event edge: A red bracket is displayed to indicate which event edge will be trimmed. or 9 selects the end of the event or moves to the next event edge. Press (or 7 or 9 on the numeric keypad) to move the cursor to the event edge you want to trim. If you want downstream events to ripple as you trim, click the Auto Ripple button to turn on Auto Ripple mode. If you have an external multimedia controller, it’s even easier. With this method, you can quickly jump through your project and adjust cuts until they’re perfectly synchronized.
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